A gripping portrait of the depths you can sink to when you're grief stricken and your husband truly hates you.
by Umnia El-Neil
Fiore Di Latte punctures wacky with doses of real, and Charlotte Ercoli uses the madness like an easel to paint a woefully accurate portrait of addiction.
Marina’s new album is an invigorating blend of past, present and future, where vulnerability meets camp to birth pop perfection
Twinless is slightly sorta like Vertigo, on poppers, running on the energy of an off the walls 2000s movie laced with the spirit of a Hitchcockian thriller.
A wild and surprising (and heavily British) action comedy of the absurd from Director Tom Kingsley is a treat - and made on a budget that is surely a recession indicator.
Our top picks so far, and our most anticipated going forward
A heartwarming modern take on the feel-good blockbuster action film, this colourful new instalment gives glory back to Okinawa, Beijing, and the Asian-American experience.
Instead of leaning into what you’d expect, Armstrong veers leftward (pun intended) to truly deconstruct how aggrandised masculinity self-immolates under the weight of itself.
The best film I watched at Cannes, and, I believe, the one with the brightest year ahead of it.
