Close-up of Cynthia Erivo in a barrister’s wig and dark court attire, with a courtroom blurred behind her.

Film

Prima Facie (Review) | LFF 2026

Erivo makes the case for law reform brilliantly, but the film keeps interrupting her.

Lucie Goulet 19 Oct 2026

Four elaborately costumed performers pose on an ornate silver throne before red stage curtains, with sequins, fishnets and dramatic cabaret-style makeup.

The Making of a Cult Classic: The Rocky Horror Picture Show

Wanji Hartig 19 Oct 2026

Blonde woman in a white nightgown lying on a red bed as a man in a crimson robe stands in a candlelit stone chamber with red curtains and blue-green bedding.

"At least I still have my beauty" — The Face of Horror (Review) | LFF 2026

Wanji Hartig 17 Oct 2026

Ten people pose on a red carpet in front of a BFI London Film Festival backdrop; one woman in a black suit sits in a wheelchair.

Being Heumann – The Importance of Accessibility | LFF 2026

Clotilde Chinnici 16 Oct 2026

Reviews

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Close-up of Cynthia Erivo in a barrister’s wig and dark court attire, with a courtroom blurred behind her.

Prima Facie (Review) | LFF 2026

Lucie Goulet 19 Oct 2026

Blonde woman in a white nightgown lying on a red bed as a man in a crimson robe stands in a candlelit stone chamber with red curtains and blue-green bedding.

"At least I still have my beauty" — The Face of Horror (Review) | LFF 2026

Wanji Hartig 17 Oct 2026

Ten people pose on a red carpet in front of a BFI London Film Festival backdrop; one woman in a black suit sits in a wheelchair.

Being Heumann – The Importance of Accessibility | LFF 2026

Clotilde Chinnici 16 Oct 2026

Six uniformed men walk along a beach at dusk with ocean waves in the background.

"In good times and in bad" — Coward (Review) | LFF 2026

Wanji Hartig 16 Oct 2026

Woman in a long pale dress holding flowers on a grassy ridge, with cloudy sky and distant mountains.

Gone to Earth (Review) | LFF 2026

Emily Garbutt 15 Oct 2026

Deep Dives

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We ❤️ the PCC!

21 Jul 2026

Unprecedented Times and Abject Futures: Why Internet Horror is Having Its Moment

11 Jun 2026

It's the end of the world, why bother?

8 May 2026

I watched "The Odyssey Trailer", and I have some thoughts.

5 May 2026

Festival Coverage

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Prima Facie (Review) | LFF 2026

19 Oct 2026

"At least I still have my beauty" — The Face of Horror (Review) | LFF 2026

17 Oct 2026

Being Heumann – The Importance of Accessibility | LFF 2026

16 Oct 2026

"In good times and in bad" — Coward (Review) | LFF 2026

16 Oct 2026

Latest

687 Stories

Six uniformed men walk along a beach at dusk with ocean waves in the background.

"In good times and in bad" — Coward (Review) | LFF 2026

Wanji Hartig 16 Oct 2026

Woman in a long pale dress holding flowers on a grassy ridge, with cloudy sky and distant mountains.

Gone to Earth (Review) | LFF 2026

Emily Garbutt 15 Oct 2026

Close-up of a serious male cellist in a dark suit playing in an orchestra, with another blurred cellist and music stands in the background.

"What kind of music are you into?" — Behemoth! (Review) | LFF 2026

Wanji Hartig 14 Oct 2026

Two people seen from behind with arms around each other in a crowded, candlelit ornate room; one wears large headphones.

Making Marie Antoinette (Review) | LFF 2026

Emily Garbutt 14 Oct 2026

A man and woman walk across a rooftop set holding drinks and sunglasses.

The Beloved (Review) | LFF 2026

Lucie Goulet 13 Oct 2026

A man in a grey suit and tie looks upward beside sheets of printed paper and large metal printing rollers in an industrial setting.

Ink (Review): LFF UK Premiere

Micah C 13 Oct 2026

Four people holding takeaway coffee cups talk under bunting in a beachfront shelter, with water and a distant city skyline behind them.

SITUATIONSHIP Makes a Case for Queer Stories in the Vertical Space

Frankie Mara 12 Oct 2026

Andrew Scott as Ian Charleson holds a skull while leaning forward in a muted rehearsal-room scene from Elsinore.

Elsinore Asks You To Engage Your Heart (Review) | LFF 2026

Farah Sadek 12 Oct 2026