Blonde woman in a white nightgown lying on a red bed as a man in a crimson robe stands in a candlelit stone chamber with red curtains and blue-green bedding.

Film

"At least I still have my beauty" — The Face of Horror (Review) | LFF 2026

Anna Biller is back with one of the most visually striking and beautiful films of the year that echoes the imagery of times gone by.

Wanji Hartig 17 Oct 2026

Film

Being Heumann – The Importance of Accessibility | LFF 2026

Clotilde Chinnici 16 Oct 2026

Six uniformed men walk along a beach at dusk with ocean waves in the background.

Film

"In good times and in bad" — Coward (Review) | LFF 2026

Wanji Hartig 16 Oct 2026

Woman in a long pale dress holding flowers on a grassy ridge, with cloudy sky and distant mountains.

Film

Gone to Earth (Review) | LFF 2026

Emily Garbutt 15 Oct 2026

Reviews

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Film

"At least I still have my beauty" — The Face of Horror (Review) | LFF 2026

Wanji Hartig 17 Oct 2026

Film

Being Heumann – The Importance of Accessibility | LFF 2026

Clotilde Chinnici 16 Oct 2026

Film

"In good times and in bad" — Coward (Review) | LFF 2026

Wanji Hartig 16 Oct 2026

Film

Gone to Earth (Review) | LFF 2026

Emily Garbutt 15 Oct 2026

Close-up of a serious male cellist in a dark suit playing in an orchestra, with another blurred cellist and music stands in the background.

Reviews

"What kind of music are you into?" — Behemoth! (Review) | LFF 2026

Wanji Hartig 14 Oct 2026

Deep Dives

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Culture

We ❤️ the PCC!

21 Jul 2026

Film

Unprecedented Times and Abject Futures: Why Internet Horror is Having Its Moment

11 Jun 2026

Deep Dive

It's the end of the world, why bother?

8 May 2026

Deep Dive

I watched "The Odyssey Trailer", and I have some thoughts.

5 May 2026

Festival Coverage

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Film

"At least I still have my beauty" — The Face of Horror (Review) | LFF 2026

17 Oct 2026

Film

Being Heumann – The Importance of Accessibility | LFF 2026

16 Oct 2026

Film

"In good times and in bad" — Coward (Review) | LFF 2026

16 Oct 2026

Film

Gone to Earth (Review) | LFF 2026

15 Oct 2026

Latest

685 Stories

Reviews

"What kind of music are you into?" — Behemoth! (Review) | LFF 2026

Wanji Hartig 14 Oct 2026

Two people seen from behind with arms around each other in a crowded, candlelit ornate room; one wears large headphones.

Film

Making Marie Antoinette (Review) | LFF 2026

Emily Garbutt 14 Oct 2026

A man and woman walk across a rooftop set holding drinks and sunglasses.

Film

The Beloved (Review) | LFF 2026

Lucie Goulet 13 Oct 2026

A man in a grey suit and tie looks upward beside sheets of printed paper and large metal printing rollers in an industrial setting.

Film

Ink (Review): LFF UK Premiere

Micah C 13 Oct 2026

Four people holding takeaway coffee cups talk under bunting in a beachfront shelter, with water and a distant city skyline behind them.

Film

SITUATIONSHIP Makes a Case for Queer Stories in the Vertical Space

Frankie Mara 12 Oct 2026

Andrew Scott as Ian Charleson holds a skull while leaning forward in a muted rehearsal-room scene from Elsinore.

Film

Elsinore Asks You To Engage Your Heart (Review) | LFF 2026

Farah Sadek 12 Oct 2026

Two men in a dim room: one in a green uniform sits on a bed with a rifle slung over his shoulder, lighting a cigarette for a shirtless man reclining under a sheet by a window.

Film

"You will never know how much I love you" — La Bola Negra (Review) | LFF 2026

Wanji Hartig 10 Oct 2026

A tall, hairy beast-like figure in a vest and white shirt embraces a smiling woman in period clothing, with musicians and seated guests blurred in the background.

Film

Wicker Review | LFF 2026

Lucie Goulet 8 Oct 2026