OBSCURAE's Cannes 2026 Cheat Sheet
Though we won’t be on the Croisette this year, here are the films we’re hoping to find on our doorstep soon…
Wild Foxes (Review)
A boxing coming-of-age film that sees a French teenager question the brutality of his trade.
Rebuilding (Review)
Josh O'Connor's gentle and contemplative performance as a rancher without a ranch speaks to loss, connection and resilience.
OK, I hate to say it - this episode did kind of eat | I'm watching Euphoria, so you don't have to. (Episode 2 Review)
After three seasons, Sam Levinson finally seems to be honing in on a point. Which is, basically, sex work because California is evil, or something.
013 - OFFLINE ALGORITHM
An anti-scroll collection of newsworthy things we watched & read this week.
The pop girls are just as starstruck as you.
With the release of Olivia Rodrigo's single, and knowing what I know of Gracie Abrams -- I'm starting to sense a pattern.
🇬🇧🇺🇸🇨🇦Box Office Cheat Sheet (17th April 2026)
Our sources for Box Office releases are Google Searches, usually based on one "Chain" cinema and one "Arthouse" cinema, based in a major city of the country we're previewing. If you have any ways we can improve this series, email team@obscurae.co.uk.
UMNIA's watching Euphoria so you don't have to (Episode 1 Review)
A show I hated on it's debut, and started to warm up to in Season 2, is starting to crack at the seams -- and it's "creator"'s desperation is clear.
I've had AI-nough.
I was made aware of a particularly pernicious feature roll-out on TikTok last night, and once again, I'm reconsidering my entire... life.
Chappell Roan and the no-good, very bad algorithm.
Though we all have curated algorithms, does this mean that everything truly has to be "For You"?
The Social Implications of Coachella, and the end of FOMO Marketing
As Weekend One winds down, something has become apparent -- you're not allowed to make people feel left out anymore. (Hear Hear!)
012 - OFFLINE ALGORITHM
An anti-scroll collection of newsworthy things we watched & read this week.