Film

Being Heumann – The Importance of Accessibility | LFF 2026

Clotilde Chinnici on Being Heumann, Siân Heder’s stirring portrait of disability-rights activist Judith Heumann and the urgent case for accessibility.

Clotilde Chinnici 16 Oct 2026

Six uniformed men walk along a beach at dusk with ocean waves in the background.

Film

"In good times and in bad" — Coward (Review) | LFF 2026

Wanji Hartig 16 Oct 2026

Woman in a long pale dress holding flowers on a grassy ridge, with cloudy sky and distant mountains.

Film

Gone to Earth (Review) | LFF 2026

Emily Garbutt 15 Oct 2026

Close-up of a serious male cellist in a dark suit playing in an orchestra, with another blurred cellist and music stands in the background.

Reviews

"What kind of music are you into?" — Behemoth! (Review) | LFF 2026

Wanji Hartig 14 Oct 2026

Reviews

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Film

Being Heumann – The Importance of Accessibility | LFF 2026

Clotilde Chinnici 16 Oct 2026

Film

"In good times and in bad" — Coward (Review) | LFF 2026

Wanji Hartig 16 Oct 2026

Film

Gone to Earth (Review) | LFF 2026

Emily Garbutt 15 Oct 2026

Reviews

"What kind of music are you into?" — Behemoth! (Review) | LFF 2026

Wanji Hartig 14 Oct 2026

Two people seen from behind with arms around each other in a crowded, candlelit ornate room; one wears large headphones.

Film

Making Marie Antoinette (Review) | LFF 2026

Emily Garbutt 14 Oct 2026

Deep Dives

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Culture

We ❤️ the PCC!

21 Jul 2026

Film

Unprecedented Times and Abject Futures: Why Internet Horror is Having Its Moment

11 Jun 2026

Deep Dive

It's the end of the world, why bother?

8 May 2026

Deep Dive

I watched "The Odyssey Trailer", and I have some thoughts.

5 May 2026

Festival Coverage

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Film

Being Heumann – The Importance of Accessibility | LFF 2026

16 Oct 2026

Film

"In good times and in bad" — Coward (Review) | LFF 2026

16 Oct 2026

Film

Gone to Earth (Review) | LFF 2026

15 Oct 2026

Reviews

"What kind of music are you into?" — Behemoth! (Review) | LFF 2026

14 Oct 2026

Latest

684 Stories

Film

Making Marie Antoinette (Review) | LFF 2026

Emily Garbutt 14 Oct 2026

A man and woman walk across a rooftop set holding drinks and sunglasses.

Film

The Beloved (Review) | LFF 2026

Lucie Goulet 13 Oct 2026

A man in a grey suit and tie looks upward beside sheets of printed paper and large metal printing rollers in an industrial setting.

Film

Ink (Review): LFF UK Premiere

Micah C 13 Oct 2026

Four people holding takeaway coffee cups talk under bunting in a beachfront shelter, with water and a distant city skyline behind them.

Film

SITUATIONSHIP Makes a Case for Queer Stories in the Vertical Space

Frankie Mara 12 Oct 2026

Andrew Scott as Ian Charleson holds a skull while leaning forward in a muted rehearsal-room scene from Elsinore.

Film

Elsinore Asks You To Engage Your Heart (Review) | LFF 2026

Farah Sadek 12 Oct 2026

Two men in a dim room: one in a green uniform sits on a bed with a rifle slung over his shoulder, lighting a cigarette for a shirtless man reclining under a sheet by a window.

Film

"You will never know how much I love you" — La Bola Negra (Review) | LFF 2026

Wanji Hartig 10 Oct 2026

A tall, hairy beast-like figure in a vest and white shirt embraces a smiling woman in period clothing, with musicians and seated guests blurred in the background.

Film

Wicker Review | LFF 2026

Lucie Goulet 8 Oct 2026

A nun in a white habit with a black cross stands before a brick altar, with rows of nuns kneeling on both sides and a crucifix and candles behind her.

Film

"Virtue or lechery?" — Ken Russell's The Devils (Review) | LFF 2026

Wanji Hartig 7 Oct 2026