A woman stands behind a metal mechanical framework with crossed support bars and bright backlighting.

Film

Nathan Fielder and Lance Oppenheim’s You Can See Everything - Review (Spoiler Free)

You Can See Everything is a fascinating study of Elizabeth Holmes and the ethics of documentary filmmaking

Frankie Mara 22 Oct 2026

A grey wolf stands against a dark background with its mouth slightly open.

Landscape of Shame (Review) | LFF 2026

Lewis Taylor 22 Oct 2026

Black-and-white photo of demonstrators holding signs reading “EQUALITY NOW!” and calling for lesbian and gay rights.

Queer Edward II (Review) | LFF 2026

Emily Garbutt 22 Oct 2026

Clayface (Spoiler Review): Eyes without a clayface

Josiah Benegal 21 Oct 2026

Reviews

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A woman stands behind a metal mechanical framework with crossed support bars and bright backlighting.

Nathan Fielder and Lance Oppenheim’s You Can See Everything - Review (Spoiler Free)

Frankie Mara 22 Oct 2026

A grey wolf stands against a dark background with its mouth slightly open.

Landscape of Shame (Review) | LFF 2026

Lewis Taylor 22 Oct 2026

Black-and-white photo of demonstrators holding signs reading “EQUALITY NOW!” and calling for lesbian and gay rights.

Queer Edward II (Review) | LFF 2026

Emily Garbutt 22 Oct 2026

Clayface (Spoiler Review): Eyes without a clayface

Josiah Benegal 21 Oct 2026

Two adults and four children, including a baby held by one adult, pose beside dark water and small boats in a mountain village with red, white and green buildings under snow-capped peaks.

Fjord (Review) | LFF 2026

Lewis Taylor 20 Oct 2026

Deep Dives

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We ❤️ the PCC!

21 Jul 2026

Unprecedented Times and Abject Futures: Why Internet Horror is Having Its Moment

11 Jun 2026

It's the end of the world, why bother?

8 May 2026

I watched "The Odyssey Trailer", and I have some thoughts.

5 May 2026

Festival Coverage

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Landscape of Shame (Review) | LFF 2026

22 Oct 2026

Queer Edward II (Review) | LFF 2026

22 Oct 2026

Fjord (Review) | LFF 2026

20 Oct 2026

Moonglow (Review) | LFF 2026

20 Oct 2026

Latest

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Collage of taped horror and thriller movie stills on a lined notebook-paper background with spiderweb doodles.

OBSCURAE’s Scare Syllabus: Underrated Horror Must-Watches

Anika Williams-Hewitt 21 Oct 2026

A man in a cap gestures beside a woman in a colourful room, with camera equipment in the foreground.

A Different World: Interview with Cinematographer Shawn Peters

Anika Williams-Hewitt 20 Oct 2026

Two adults and four children, including a baby held by one adult, pose beside dark water and small boats in a mountain village with red, white and green buildings under snow-capped peaks.

Fjord (Review) | LFF 2026

Lewis Taylor 20 Oct 2026

A woman in a white blouse with red floral prints and tan trousers uses a black rotary payphone in a dim, warm-toned street-side booth covered with faded advertisements.

Moonglow (Review) | LFF 2026

Lewis Taylor 20 Oct 2026

Close-up of Cynthia Erivo in a barrister’s wig and dark court attire, with a courtroom blurred behind her.

Prima Facie (Review) | LFF 2026

Lucie Goulet 19 Oct 2026

Four elaborately costumed performers pose on an ornate silver throne before red stage curtains, with sequins, fishnets and dramatic cabaret-style makeup.

The Making of a Cult Classic: The Rocky Horror Picture Show

Wanji Hartig 19 Oct 2026

Blonde woman in a white nightgown lying on a red bed as a man in a crimson robe stands in a candlelit stone chamber with red curtains and blue-green bedding.

"At least I still have my beauty" — The Face of Horror (Review) | LFF 2026

Wanji Hartig 17 Oct 2026

Ten people pose on a red carpet in front of a BFI London Film Festival backdrop; one woman in a black suit sits in a wheelchair.

Being Heumann – The Importance of Accessibility | LFF 2026

Clotilde Chinnici 16 Oct 2026