No because it's CAMP, darling... šŸ‘€

Freaky Tales will blow your mind.
An immediate cult hit that’s about to take over and revive local storytelling as global conversation -- gorey, funky and satisfying from start to finish.
Princess of Power | MARINA Album Review
Marina’s new album is an invigorating blend of past, present and future, where vulnerability meets camp to birth pop perfection
I am not too cool to cry at the ā€œMission Impossibleā€ movie | OBSCURAE at Cannes
One of the most expensive films ever made, ā€œThe Final Reckoningā€ is a masterpiece of blockbuster filmmaking that is as earnest as it is big. This is storytelling at its most complicated, and most difficult -- and most heartfelt.
ā€œ.ā€ by Kesha—review
Fun Kesha is back. With her first album that she owns. Getting rid of the phantom of Dr Luke once and for all.
MOUNTAINHEAD: Do you believe in other people?
Instead of leaning into what you’d expect, Armstrong veers leftward (pun intended) to truly deconstruct how aggrandised masculinity self-immolates under the weight of itself.

LGBTQ+ Winners šŸ†

The People’s Joker: The hero we need. — OBSCURAE
It is always so nice to descend on the Prince Charles Cinema and realise you’re surrounded by passionate people. I feel that venues like the PCC are some of the only places left in the modern world where people aren’t pretending to be too cool, or nonchalant - it’s a venue that inspires passion. Y
Everyone is going to love ā€œWhat it feels like for a Girlā€
Growing up and feeling trapped in a life you don’t identify with is a key theme in this inventive, exciting new adaptation of Paris Lees Memoir

The Materialists Saga šŸŽ‚

šŸ‡ŗšŸ‡øMaterialists is All About Love, But Less Than The Sum of its Parts
Good cinematography can obscure bad writing, and I’m not really sold on what Materialists is selling about us. The film has charm and disarms in funny little interludes, yet it’s disinterested in anything besides the aesthetic.
To material or not to Materialists? šŸ‡ØšŸ‡¦
Our new contributor Anika gives us her tempered thoughts on the highly anticipated rom-dram.
šŸ‡¬šŸ‡§Materialists: ā€œYou’re Perfect.ā€ (Spoilers)
A screed against cynicism, Celine Song set herself the mission of rationalising irrationality - and mounting a 360 degree critique of rationality itself.

The-ay-tehr šŸŽ­

EVITA: An Argentinian Theatre Aficionado Perspective
ā€œI came from my people, they need to adore me, so Christian Dior me, from my head to my toes.ā€
The Importance of Being Ncuti
I mean...Earnest!
ā€˜The Uninvited’: The excruciating heartbreak of being a woman, or; I love films about magic
With effortless charm, a pitch-perfect cast, and a liberating disregard for strict spatial continuity (all the better to disorient you), Nadia Conners has conjured magic here.
BITE ME by ReneĆ© Rapp—review
The outstanding singer and songwriter gives pop a proper shot.

Busting the Block šŸŽŸļø

šŸ‡¬šŸ‡§šŸ‡ŖšŸ‡øThunderbolts*: Running Up That Attic
ā€œJake Schreier’s Thunderbolts* manages to present a simple and clear to understand story that even first timers [of the MCU] can enjoyā€
Superman; the hard, gruelling, back-breaking work of being kind.
In an unprecedented run of films, James Gunn once again proves that the only way to win at making a comic book movie, is to actually make one.
A whole Galaxy out there: An Andor Mega Recap (Episodes 10-12)
In a gripping and emotional finale, we realise the true protagonist has been Luthen all along.
Fantastic Four: First Steps (A Reed Richards Deep Dive)
Marvel’s First Family have been invisible in the MCU thus far -- whether the goodwill toward Marvel would stretch to this adaptation was hotly debated, but here’s the thing…

Very Very Frightening Me 😱

Sinners
A genre-blending feast for the senses that challenges its audience to confront horrors, both human and supernatural
The Case for ā€œThe Monkeyā€
Written, Directed, Performed and Edited by Nor GarcĆ­a
The Ugly Stepsister: It’s all rotten
At the heart of female fantasy lies the painful, drastic, desperate core.
Together: U + Me = Us
Michael Shanks’s first feature is one wicked spitfire of a horror film, and if its metaphors seem heavy-handed, it has the decency at least to deliver them in the nastiest package possible.

Underrated GEMS šŸ’œ

Flow
A masterful dialogue-less story on par with the most devastating Pixar fare you can imagine.
Sebastian: It’s all filth underneath
A Sundance 2024 Official Selection and a Peccadillo Pictures release—I am absolutely, unadulteratedly in love with this film.

Coming Soon (add to your Watchlist!) šŸ”œ

My Father’s Shadow | OBSCURAE at Cannes
The best film I watched at Cannes, and, I believe, the one with the brightest year ahead of it.
O Agente Secreto: Recinte, 1977 | OBSCURAE at Cannes
Once we really know what’s going on, that’s when things get bloody, and Kleber MendonƧa Filho will have you on the edge of your seat.
Plainclothes: All the things we’re not allowed to have | OBSCURAE @ SXSW London
With a grounded plot and beautifully integrated experimental elements, Carmen Emmi spins gold.
The Astronaut Lovers, and the Lost Interview with Marco Berger
A magical Rom-Com, and (thanks to technical difficulties) an interview you will simply have to take my word for…
New Wave (Onda Nova)
Take a trip to 1980’s Brazil, where the kids of SĆ£o Paolo get it in. and by ā€˜it’, I mean the ball into the net, of course. What else could I possibly be referring to?
ATTAGIRL! | OBSCURAE at TriBeCa
In what can only be described as the most colourful, explosive and beautifully kitchy Short I have had the pleasure to see this year, Klimovski rampages.
Heavyweight | OBSCURAE @ Raindance 2025
A riveting and well-made character study that goes deeper on the tenuous mind-space boxers manage in the lead up to the world’s most beloved bloodsport.
Birthright | OBSCURAE at TriBeCa
Inheritances Writ in Mud and Chlorine - Birthright is a Thrilling Battle of the Generations.
Twinless | OBSCURAE at TriBeCa
Twinless is slightly sorta like Vertigo, on poppers, running on the energy of an off the walls 2000s movie laced with the spirit of a Hitchcockian thriller.
Fiore Di Latte | OBSCURAE at TriBeCa
Fiore Di Latte punctures wacky with doses of real, and Charlotte Ercoli uses the madness like an easel to paint a woefully accurate portrait of addiction.
Twelve Moons | OBSCURAE at TriBeCa
A gripping portrait of the depths you can sink to when you’re grief stricken and your husband truly hates you.
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