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BFI Flare 2025

Our coverage of films at BFI Flare 2025

BFI Flare 2025

Our coverage of films at BFI Flare 2025

BFI Flare 2025   -   Apr 08, 2025 The filmmakers behind Departures on why we don't see more working class queer stories on screen
The filmmakers behind Departures on why we don't see more working class queer stories on screen

The team from Departures talk to Juana about making working class British cinema

BFI Flare 2025   -   Apr 07, 2025 Tyler Conti on how 'Departures' can help people identify the toxicity in their own relationships.
Tyler Conti on how 'Departures' can help people identify the toxicity in their own relationships.

"[It would] be really nice for people to check in with themselves"

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BFI Flare 2025   -   Apr 08, 2025 The filmmakers behind Departures on why we don't see more working class queer stories on screen
The filmmakers behind Departures on why we don't see more working class queer stories on screen

The team from Departures talk to Juana about making working class British cinema

by Juana Prieto
BFI Flare 2025   -   Apr 07, 2025 Tyler Conti on how 'Departures' can help people identify the toxicity in their own relationships.
Tyler Conti on how 'Departures' can help people identify the toxicity in their own relationships.

"[It would] be really nice for people to check in with themselves"

by Juana Prieto
BFI Flare 2025   -   Apr 07, 2025 'Schwarze Früchte/Black Fruit' 🫐
'Schwarze Früchte/Black Fruit' 🫐

There is an untapped well of Afro-German talent that gets to shine in 'Schwarze Früchte/Black Fruit' and we are SO here for it!

by Celeste Kassautzki Sp.
BFI Flare 2025   -   Apr 02, 2025 Best of BFI Flare 2025
Best of BFI Flare 2025

The results are in, and they are HOT! We've travelled far and wide to bring you some brilliant gems from the festival.

by OBSCURAE & Juana Prieto & Umnia El-Neil & Lucie Neale & Celeste Kassautzki Sp. & Jack O'Mahoney
BFI Flare 2025   -   Apr 02, 2025 Trans Shorts
Trans Shorts

Jack's odyssey into the outstanding shorts from BFI Flare continues!

by Jack O'Mahoney
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