Film
Shelby Oaks: A horror movie mashup
Despite all it's flaws, it's definitely not a "horrible movie" but it's certainly a messy debut.
All of our reviews, of everything, in one place.
Film
Despite all it's flaws, it's definitely not a "horrible movie" but it's certainly a messy debut.
Film
Some rapid fire reviews for films I was less enthused by...
Film
With humour, unpretentiousness and deep care, five brave Sudanese icons recount their brave escape from the Civil War, and green screen helps visualise the Khartoum they were forced to leave behind.
Film
A campy, tender romp through Zombie conventions, this collection of colourful characters remind us that Horror has always been for the Gworls.
Film
Adapted from a queer feminist graphic novel that borrowed from Scheherazade, this luscious experiment in fantasy-as-realism is a true treat for the Ren Faire Romance Set (my friends and collaborators all), and is bound to be a cult favourite.
Film
Based on the 2011 memoir by American writer Lidia Yuknavitch, Kristen Stewart's debut is more experimental than narrative – and does more to honour than it does to analyse.
Film
Where theatre meets Instagram Live, you can make cinema, and director Bradley Banton has found a unique angle on the hangout film here.
Film
In homage to the short, this review is written in a similar style to how the film is narrated. In 2019 I had decided that Music was evading me, and become too heavy a craft considering it had birthed my career as an Audio Engineer, and was now somewhat badly
Film
"This is a story about how pacifism is political. How gender, race, religion are all precursors for violence, and how the denial of that violence is a radical act. However, the story opens up further, like a deep network of roots underground, the more you observe."
Film
Baumbach meditates on sacrifice, career and family, in a way only a man who's old and over the hill can. (Sorry Noah, but it's true.)
Film
In an intense display of cognitive skill, an old man managed to fool everyone into thinking he was dunking on Gen-Z, and then excoriated his fellow olds.
Film
"The thin line between reality and fiction is not only acknowledged but embraced by the film’s storytelling structure as we follow the events of Cervantes’ time held captive in Algiers..."