Umnia El-Neil
Umnia El-Neil is a British-Sudanese artist and professional pop culture fan.



Mild spoilers. Mortality is weird, right? What O, Canada attempts to do is to have a discussion about what matters at the end of a life. What ends up being important. How life weights up at the end. At first, you think you’re watching a film about film making.
by Umnia El-Neil
I can’t promise you’re going to leave this film feeling that goody goody fuzzy wuzzy feeling. Maybe a tiny bit. What you’ll leave the theatre with is relief. In Colman Domingo’s hands, you are always safe. However, in an incredibly rare turn of events, it’s
by Umnia El-Neil
Oh my god holy fuck this was amazing. So I’d never heard of Kneecap before - seated in the Imperial Core as I am, I haven’t even heard it around! Which is why this film making it to theatres, and Fassbender’s endorsement, is truly as much a
by Umnia El-Neil
There was no version of this film that was going to be able to warn you properly in advance about what you were about to see. content warning: GRAPHIC depictions of sexual violence, coercion and r*pe. SPOILERS. For a film that attempts something this big, and that does not
by Umnia El-Neil
1. Yes, you do still have to start a Letterboxd account - you can catalog reactions, date watched, and this can also be used as a place to save “to watch” lists. 2. Anything you can think of to add to the list, start it now. Then, pick 3 people
by Umnia El-Neil
4. Bones and All Too long and too narratively messy, but it makes up for it in very simple and well-crafted visual storytelling. The performances between Chalamet and Russell seem to be talking past each other. Dialogue was pretty atrocious, I can’t work out why. Costuming, Pacing, Copious amounts
by Umnia El-Neil