Umnia El-Neil
Umnia El-Neil is a British-Sudanese artist and professional pop culture fan.





A short but beautiful surrealist film that breaks structure and form. I thought I might honor it’s brevity and anti-plot structure by doing the same for my review. All hail halation.
by Umnia El-Neil
There are going to be moments so frustrating, so unashamedly long and tense to watch, that you are going to conteplate leaving the cinema. As someone seeing it from the other end - you have nothing to fear. The film very rarely will jump scare you, so now, with that
by Umnia El-Neil
Know your history! I was born in ‘96, and by the time I was old enough to know British Music, let alone Black British Music, my tastes were decidedly set on pop. I had never been exposed to 2-Tone, or to the history of Black artists in the UK that
by Umnia El-Neil
OK. The moment you’ve all been waiting for. Anora does a great job of insisting you’re not watching what you think you’re watching. Aside from the impeccably kind and respectful handling of sex workers, you are going to be told, nay, rallied into ignoring your first instincts.
by Umnia El-Neil
I’m not going to say this film won’t surprise you. It truly will, in ways you cannot comprehend yet. The intrigue and passion and speed and patience and beauty alone will astound you. What I will say is whatever prediction you make at the start, will probably be
by Umnia El-Neil
The first beat of Blitz immediately signals to you that you are in danger. Far away from heroic depictions of a London on the defensive, we are instead confronted with immediate and benign terror. Sure, it’s an air raid - but we’re following firefighters. And the enemy they
by Umnia El-Neil
TW: Sexual Assault, R*pe, the UK Justice System On the surface, this play is quite one dimensional - incredibly predictable, even. You know, even just from the warnings, what is about to happen. The play doesn’t need to surprise you to make you think, though. The story becomes
by Umnia El-Neil
There aren’t really ever going to be enough stories about addiction - but there certainly aren’t enough that are unglossed, unfiltered, and grounded the way that ‘The Outrun’ is. Aside from beautiful cinematography, and a star turn from Saoirse Ronan, the story is a patient one, and it
by Umnia El-Neil