Plainclothes Q&A - Carmen Emmi, Russell Tovey | SXSW London
✨Read our review of the film here!
Umnia El-Neil
Umnia El-Neil is a British-Sudanese artist and professional pop culture fan.
Festivals
Ancestral Visions of the Future | OBSCURAE @ SXSW London
Lemohang Jeremiah Mosese wants to talk in feeling - if you're ready to listen.
Film
Plainclothes: All the things we’re not allowed to have | OBSCURAE @ SXSW London
With a grounded plot and beautifully integrated experimental elements, Carmen Emmi spins gold.
Festivals
Love and Rage: Munroe Bergdorf | OBSCURAE @ SXSW London
A tender and compassionate profile of one of the most influential trans voices in the UK, who has been so disrespected by her country, and yet has continued to thrive on the global stage.
Festivals
Deep Cover: A New Genre is born | OBSCURAE @ SXSW London
A wild and surprising (and heavily British) action comedy of the absurd from Director Tom Kingsley is a treat - and made on a budget that is surely a recession indicator.
Sweet and Short
Sweet and Short: "OCD and Chips" (Dir. Joe Borg)
In this brilliantly down to earth and hilarious mini-mockumentary, we peek into the disrupted but colourful life of a woman working a chip shop with OCD
Festivals
Sweet and Short: Midnight Movies @ SXSW London
Four shorts that blew my mind.
Festivals
Everyone is going to love "What it feels like for a Girl"
Growing up and feeling trapped in a life you don't identify with is a key theme in this inventive, exciting new adaptation of Paris Lees Memoir
Film
SPOILERS: Jesse Armstrong's "Mountainhead" - What about Moral Issues?
OK. So now you’ve seen it...
Sweet and Short
Sweet and Short: "Dark Palette" (Dir. Lucas Pelizaro)
With brilliant colour, Pelizaro paints an incredibly beautiful, terrifying miniature.
Film
Karate Kid: Legends - Two Branches, One Tree.
A heartwarming modern take on the feel-good blockbuster action film, this colourful new instalment gives glory back to Okinawa, Beijing, and the Asian-American experience.
MOUNTAINHEAD: Do you believe in other people?
Instead of leaning into what you’d expect, Armstrong veers leftward (pun intended) to truly deconstruct how aggrandised masculinity self-immolates under the weight of itself.