Umnia El-Neil

In it’s outings at the festivals, this quiet camcorder documentary surrounding intergenerational trauma has won the LFF Audience award, and garnered praise from the Guardian and the Evening Standard. I think this is a bit of a watershed moment for Women of Colour in the British Film ecosystem. Though

When a film was well received this year, it was usually because it was channelling the anger and frustrations of those who have been left behind. This wasn’t your usual raft of ‘Diversity Hires’ or “The value of Diverse Storytelling”-ass movies. These films were specific, working things out