James Cleave’s short film Mafia is a sharply observed, darkly comedic exploration of family dysfunction, set against the backdrop of a seemingly innocent post-dinner card game. The film opens with a strong cold open, immediately drawing the viewer into the tense yet familiar world of its characters as they gather to play 'Mafia,' a game that quickly becomes a catalyst for revealing uncomfortable truths.

Guiding them through the game is Henry, played by Matthew Wellard. Wellard’s performance is notable for its restraint and authenticity; he grounds the film with a presence that is never flashy but always compelling. His narration acts as an anchor, guiding the audience through the chaos that unfolds as the game progresses.

The brilliance of Mafia lies in how the game itself exposes the underlying assumptions, secrets and simmering resentments each family member harbors. The safe, rule-bound environment of the game paradoxically allows for a raw honesty that might otherwise remain hidden. As secrets surface, the family tapestry—already frayed—begins to unravel, with each round of accusations and revelations pulling at loose threads until the fabric of their relationships is nearly destroyed.

Emily, the newest addition to the family nucleus (played by Cheska Hill-Wood) stands out as the outsider whose objectivity and fresh impulses further destabilise the group dynamic. Meanwhile, the unresolved tension between Patch and his mother Cynthia - aided by the absence of his father and her ex-husband - adds another layer of complexity, hinting at deeper familial issues.

Cleave’s direction is complemented by camera work that moves fluidly with the story, visually echoing the shifting alliances and mounting tension around the table. The cinematography is purposeful and dynamic, enhancing the narrative without ever distracting from it. The sound design is seamless.

MAFIA is not only entertaining but also impressively crafted, balancing humor and drama with a deft touch. The film’s accolades—including the Audience Choice Award at the Soho London Independent Film Festival—are well deserved, and its engaging performances and technical finesse make it a standout in the short film circuit.

If you get the chance, do go and see it. By the end of the year it will hopefully be available to watch online.

...and watch out for James' awesome interview with us as part of our "We ♡ PCC" series, coming soon!

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