Once we really know what’s going on, that’s when things get bloody, and Kleber Mendonça Filho will have you on the edge of your seat.
by Umnia El-NeilThe best film I watched at Cannes, and, I believe, the one with the brightest year ahead of it.
by Umnia El-NeilThough a noble pursuit with a talented crew and cast, Eddington fails at saying anything by trying to say everything from somewhere just adrift of centre.
by Umnia El-NeilOne of the most expensive films ever made, "The Final Reckoning" is a masterpiece of blockbuster filmmaking that is as earnest as it is big. This is storytelling at its most complicated, and most difficult -- and most heartfelt.
by Umnia El-NeilParthenope the movie is surprisingly not as superficial as it appears on the surface - just like Parthenope the woman.
by Kerrie Draghi"In merely 90 minutes, the play explores personal & professional betrayals in regards to politics and the arts which remain as relevant as ever, and reminds us that in the face of regression, the only option is to charge forward"
by Nor García GrauOnce we really know what’s going on, that’s when things get bloody, and Kleber Mendonça Filho will have you on the edge of your seat.
by Umnia El-Neil"I came from my people, they need to adore me, so Christian Dior me, from my head to my toes."
Marvel's First Family have been invisible in the MCU thus far -- whether the goodwill toward Marvel would stretch to this adaptation was hotly debated, but here's the thing...
In an unprecedented run of films, James Gunn once again proves that the only way to win at making a comic book movie, is to actually make one.
Elliana's camera caught everything at Raindance - join her behind the scenes of our coverage!
With Ride Or Die, Josalynn Smith transfuses grungy 90s dissatisfaction into the chassis of a beautifully shot modern feature, painted red, peeling to blue, then blossoming to a pale lilac.
Fiore Di Latte punctures wacky with doses of real, and Charlotte Ercoli uses the madness like an easel to paint a woefully accurate portrait of addiction.
Marina’s new album is an invigorating blend of past, present and future, where vulnerability meets camp to birth pop perfection
Twinless is slightly sorta like Vertigo, on poppers, running on the energy of an off the walls 2000s movie laced with the spirit of a Hitchcockian thriller.
Once we really know what’s going on, that’s when things get bloody, and Kleber Mendonça Filho will have you on the edge of your seat.
by Umnia El-NeilThe best film I watched at Cannes, and, I believe, the one with the brightest year ahead of it.
by Umnia El-NeilThough a noble pursuit with a talented crew and cast, Eddington fails at saying anything by trying to say everything from somewhere just adrift of centre.
by Umnia El-NeilOne of the most expensive films ever made, "The Final Reckoning" is a masterpiece of blockbuster filmmaking that is as earnest as it is big. This is storytelling at its most complicated, and most difficult -- and most heartfelt.
by Umnia El-NeilParthenope the movie is surprisingly not as superficial as it appears on the surface - just like Parthenope the woman.
by Kerrie Draghi"In merely 90 minutes, the play explores personal & professional betrayals in regards to politics and the arts which remain as relevant as ever, and reminds us that in the face of regression, the only option is to charge forward"
by Nor García Grau@obscurae