
When a film was well received this year, it was usually because it was channelling the anger and frustrations of those who have been left behind. This wasn’t your usual raft of ‘Diversity Hires’ or “The value of Diverse Storytelling”-ass movies. These films were specific, working things out
by Umnia El-Neil
Umnia sits down with producer Trevor Birney to discuss his most recent film, festival favorite KNEECAP; the commitment that went into making such a daring piece of cinema; and the political, historical, and sociocultural conditions in Northern (or the North of) Ireland that necessitated its creation. Tiocfaidh ár lá!
by Umnia El-Neil & Jack O'Mahoney
Having left season one of Arcane on a massive cliff hanger back in 2021, it was to be expected that someone would inevitably be disappointed by the second part of the show. I vowed to avoid being this person by being as open as possible even if the plot took
by Nor García Grau
The films that deserve flowers, that we’re scared may go unrecognised.
by Umnia El-Neil
the only four acclaimed films we did not enjoy this year.
by Umnia El-Neil
I will not deny, it’s a funny movie - it plays with irony and political cynisicm, and has a lot of jabs to send toward the neoliberal insitutions we are soon to witness crumble into the sea. The ineffectual and fluffy words of our World ‘Leaders’, and the metaphor
by Umnia El-Neil
Two nurses, seemingly two generations of thought and approach, making it work in Mumbai. In what I can only describe as the most lusciously romantic film in a long while, ‘All We Imagine As Light’ is at once both patient and quick, diving us headfirst into the interior worlds of
by Umnia El-Neil
When a film was well received this year, it was usually because it was channelling the anger and frustrations of those who have been left behind. This wasn’t your usual raft of ‘Diversity Hires’ or “The value of Diverse Storytelling”-ass movies. These films were specific, working things out
by Umnia El-Neil
An immediate cult hit that's about to take over and revive local storytelling as global conversation -- gorey, funky and satisfying from start to finish.

Watch the Paid Aficionados Extended Version Here Written and Recorded by Umnia El-Neil, Edited by Valeria Schumann.

In a tenuous era of cultural history, some divas just can't be silenced.

You're always a little bit scared, but you're never deterred.

One of my most anticipated of the festival did not disappoint - a thoroughly satisfying, moving exploration of how hidden joy can be as corrosive as hidden pain.

Perhaps my biggest concern with sci-fi as a genre is the accidental tendency to focus so much on a concept that the characters’ personality gets lost in the process... However, the entire cast – including major and minor characters – shine brightly.

A lot of people are citing the return to recession pop as the scary factor, but I say, dear reader, that the return to slightly off-key synths and cassette sounds should be far scarier.

Come get your bets in early for bragging rights in December!

When a film was well received this year, it was usually because it was channelling the anger and frustrations of those who have been left behind. This wasn’t your usual raft of ‘Diversity Hires’ or “The value of Diverse Storytelling”-ass movies. These films were specific, working things out
by Umnia El-Neil
Umnia sits down with producer Trevor Birney to discuss his most recent film, festival favorite KNEECAP; the commitment that went into making such a daring piece of cinema; and the political, historical, and sociocultural conditions in Northern (or the North of) Ireland that necessitated its creation. Tiocfaidh ár lá!
by Umnia El-Neil & Jack O'Mahoney
Having left season one of Arcane on a massive cliff hanger back in 2021, it was to be expected that someone would inevitably be disappointed by the second part of the show. I vowed to avoid being this person by being as open as possible even if the plot took
by Nor García Grau
The films that deserve flowers, that we’re scared may go unrecognised.
by Umnia El-Neil
the only four acclaimed films we did not enjoy this year.
by Umnia El-Neil
I will not deny, it’s a funny movie - it plays with irony and political cynisicm, and has a lot of jabs to send toward the neoliberal insitutions we are soon to witness crumble into the sea. The ineffectual and fluffy words of our World ‘Leaders’, and the metaphor
by Umnia El-Neil
Two nurses, seemingly two generations of thought and approach, making it work in Mumbai. In what I can only describe as the most lusciously romantic film in a long while, ‘All We Imagine As Light’ is at once both patient and quick, diving us headfirst into the interior worlds of
by Umnia El-Neil



