A Cell Phone Movie set out to be the reassuring hug and extra nudge to remind every filmmaker out there that what they want to achieve is possible, and that finding community is key to achieving it.
by Nor García Grau
Marvel's First Family have been invisible in the MCU thus far -- whether the goodwill toward Marvel would stretch to this adaptation was hotly debated, but here's the thing...
In an unprecedented run of films, James Gunn once again proves that the only way to win at making a comic book movie, is to actually make one.
Elliana's camera caught everything at Raindance - join her behind the scenes of our coverage!
With Ride Or Die, Josalynn Smith transfuses grungy 90s dissatisfaction into the chassis of a beautifully shot modern feature, painted red, peeling to blue, then blossoming to a pale lilac.
Fiore Di Latte punctures wacky with doses of real, and Charlotte Ercoli uses the madness like an easel to paint a woefully accurate portrait of addiction.
Marina’s new album is an invigorating blend of past, present and future, where vulnerability meets camp to birth pop perfection
Twinless is slightly sorta like Vertigo, on poppers, running on the energy of an off the walls 2000s movie laced with the spirit of a Hitchcockian thriller.
A wild and surprising (and heavily British) action comedy of the absurd from Director Tom Kingsley is a treat - and made on a budget that is surely a recession indicator.
