'Bulldozer' and 'How to Translate a Miracle'
by Nor García GrauPutting a pin on the debate pushed onto the work of every queer artist, where everything they create is treated as inherently political just for existing – much like the artists themselves –, I Saw the TV Glow (2024) is a visually stunning film that is purposely vague in its storytelling.
by Nor García GrauRegina is a weird combination of both a coming-of-age tale and a gripping, mind-bending psychological thriller.
by Santiago GuerraA surprising, existential and experimental new entry into the iconic series that, while sometimes uneven, still provides more than enough juicy meat for horror fans to sink their teeth into.
by Lucie Neale"The return of director Nicholas Hytner’s outstanding collaboration with designer Bunny Christie to the stage is one of the best gifts to receive from the Bridge Theatre this summer"
by Nor García GrauA riveting and well-made character study that goes deeper on the tenuous mind-space boxers manage in the lead up to the world's most beloved bloodsport.
by Umnia El-NeilLet's see the most anticipated watches for some of our team at Obscurae.
by OBSCURAEOur first ever casual meet-up this Sunday in Central London, to celebrate Raindance Film Festival!
by OBSCURAE'Bulldozer' and 'How to Translate a Miracle'
by Nor García GrauMarvel's First Family have been invisible in the MCU thus far -- whether the goodwill toward Marvel would stretch to this adaptation was hotly debated, but here's the thing...
In an unprecedented run of films, James Gunn once again proves that the only way to win at making a comic book movie, is to actually make one.
Elliana's camera caught everything at Raindance - join her behind the scenes of our coverage!
With Ride Or Die, Josalynn Smith transfuses grungy 90s dissatisfaction into the chassis of a beautifully shot modern feature, painted red, peeling to blue, then blossoming to a pale lilac.
Fiore Di Latte punctures wacky with doses of real, and Charlotte Ercoli uses the madness like an easel to paint a woefully accurate portrait of addiction.
Marina’s new album is an invigorating blend of past, present and future, where vulnerability meets camp to birth pop perfection
Twinless is slightly sorta like Vertigo, on poppers, running on the energy of an off the walls 2000s movie laced with the spirit of a Hitchcockian thriller.
A wild and surprising (and heavily British) action comedy of the absurd from Director Tom Kingsley is a treat - and made on a budget that is surely a recession indicator.
'Bulldozer' and 'How to Translate a Miracle'
by Nor García GrauPutting a pin on the debate pushed onto the work of every queer artist, where everything they create is treated as inherently political just for existing – much like the artists themselves –, I Saw the TV Glow (2024) is a visually stunning film that is purposely vague in its storytelling.
by Nor García GrauRegina is a weird combination of both a coming-of-age tale and a gripping, mind-bending psychological thriller.
by Santiago GuerraA surprising, existential and experimental new entry into the iconic series that, while sometimes uneven, still provides more than enough juicy meat for horror fans to sink their teeth into.
by Lucie Neale"The return of director Nicholas Hytner’s outstanding collaboration with designer Bunny Christie to the stage is one of the best gifts to receive from the Bridge Theatre this summer"
by Nor García GrauA riveting and well-made character study that goes deeper on the tenuous mind-space boxers manage in the lead up to the world's most beloved bloodsport.
by Umnia El-NeilLet's see the most anticipated watches for some of our team at Obscurae.
by OBSCURAEOur first ever casual meet-up this Sunday in Central London, to celebrate Raindance Film Festival!
by OBSCURAE@obscurae