Festivals
A word from our Editor in Chief | TIFF50
It's like I never left.
Festivals
It's like I never left.
Festivals
Jazz Infernal First and foremost, let me get it out of the way that I just adore jazz music, so this short always had a bit of a bias in my books. Nevertheless! Bias put aside, this is still an undoubtedly cinematic jazz journey (giving "Whiplash" during certain
Festivals
In the performance of her career, Rose Byrne encapsulates the hardships and mental turmoil caregivers around the world can relate to.
Presenting itself as a traditional indie romcom, Paul & Paulette Take a Bath (2024) asks the viewer to question our culture's voyeuristic fascination with ‘true crime' and macabre historical events.
Festivals
“And the Academy Award for Best Actor goes to…Riz Ahmed, Hamlet!”
Festivals
The eternal heartbreak of the flamboyant Bi+ man, cursed to be misunderstood by the world, and left in his troubles alone.
Theatre
Celeste reviews the musical adaptation of her beloved 1997 childhood Disney film "Hercules".
Festivals
Never since Studio Ghibli’s My Neighbour Totoro (1988) have I had the pleasure of watching a film that approaches the theme of childhood as lovingly and efficiently as Little Amélie or The Character of Rain (2025).
Film
One of the most intense and surprising psychological thrillers I've witnessed to this year, Orlando Bloom puts in the performance of his career with a stacked cast and a categorically terrifying script.
Film
The Baltimorons is a fresh film, maybe the first improv based film that’s actually good, and it wields a startling emphasis on character conflict behind the public affairs of its loser leads.
Film
There's something real here under its boozy convos between gasps of air, in being lost inside a shame spiral, but when it comes to exploring it? Not as such; these characters gesture at depth, but Pools has little to give besides what it can tease out of its performances.
An earnest and fantastical portrait of a woman wrestling motherhood with both hands.