“And the Academy Award for Best Actor goes to…Riz Ahmed, Hamlet!”

The eternal heartbreak of the flamboyant Bi+ man, cursed to be misunderstood by the world, and left in his troubles alone.

Celeste reviews the musical adaptation of her beloved 1997 childhood Disney film "Hercules".

Never since Studio Ghibli’s My Neighbour Totoro (1988) have I had the pleasure of watching a film that approaches the theme of childhood as lovingly and efficiently as Little Amélie or The Character of Rain (2025).

One of the most intense and surprising psychological thrillers I've witnessed to this year, Orlando Bloom puts in the performance of his career with a stacked cast and a categorically terrifying script.

The Baltimorons is a fresh film, maybe the first improv based film that’s actually good, and it wields a startling emphasis on character conflict behind the public affairs of its loser leads.

There's something real here under its boozy convos between gasps of air, in being lost inside a shame spiral, but when it comes to exploring it? Not as such; these characters gesture at depth, but Pools has little to give besides what it can tease out of its performances.

An earnest and fantastical portrait of a woman wrestling motherhood with both hands.