From the start, Emilia PĂ©rez presents itself as a progressive film, but it relies heavily on stereotypes rather than offering an authentic representation of Mexico.
by Juana PrietoOur top picks coming to one of the coolest festivals on the calendar...
by Umnia El-NeilWhere Final Destination meets The Babadook, and everybody dies…
by Lucie Neale@obscurae ♬ original sound - OBSCURAE
by Umnia El-NeilWhen watching the average vampire film, it seems impossible to escape society’s morbid fascination with these blood sucking creatures. We tend to sexualize what should be a horrific act, and to aid us, we present these vampires as conventionally attractive seducers to ease our minds. However, “Nosferatu” (2024) seems
by Nor GarcĂa GrauThis is an opinion piece, I promise. So, I slept through the Oscars last night. This was mostly apathy, and the fact that I didn’t want to witness an Emilia PĂ©rez sweep live and in glorious technicolor. The universe seems to have taken mercy on me and given it
by Umnia El-NeilRead more of Michel’s amazing work here. I feel that a lot gets lost when we compare film styles, even when they're applicable, and other ready-at-hand modes of descriptions fail us. It's easy to proclaim the next Vertigo in Decision to Leave, the next socially
by Michel AbdulazizFrom the start, Emilia PĂ©rez presents itself as a progressive film, but it relies heavily on stereotypes rather than offering an authentic representation of Mexico.
by Juana PrietoAn immediate cult hit that's about to take over and revive local storytelling as global conversation -- gorey, funky and satisfying from start to finish.
Watch the Paid Aficionados Extended Version Here Written and Recorded by Umnia El-Neil, Edited by Valeria Schumann.
In a tenuous era of cultural history, some divas just can't be silenced.
You're always a little bit scared, but you're never deterred.
One of my most anticipated of the festival did not disappoint - a thoroughly satisfying, moving exploration of how hidden joy can be as corrosive as hidden pain.
Perhaps my biggest concern with sci-fi as a genre is the accidental tendency to focus so much on a concept that the characters’ personality gets lost in the process... However, the entire cast – including major and minor characters – shine brightly.
A lot of people are citing the return to recession pop as the scary factor, but I say, dear reader, that the return to slightly off-key synths and cassette sounds should be far scarier.
Come get your bets in early for bragging rights in December!
From the start, Emilia PĂ©rez presents itself as a progressive film, but it relies heavily on stereotypes rather than offering an authentic representation of Mexico.
by Juana PrietoOur top picks coming to one of the coolest festivals on the calendar...
by Umnia El-NeilWhere Final Destination meets The Babadook, and everybody dies…
by Lucie Neale@obscurae ♬ original sound - OBSCURAE
by Umnia El-NeilWhen watching the average vampire film, it seems impossible to escape society’s morbid fascination with these blood sucking creatures. We tend to sexualize what should be a horrific act, and to aid us, we present these vampires as conventionally attractive seducers to ease our minds. However, “Nosferatu” (2024) seems
by Nor GarcĂa GrauThis is an opinion piece, I promise. So, I slept through the Oscars last night. This was mostly apathy, and the fact that I didn’t want to witness an Emilia PĂ©rez sweep live and in glorious technicolor. The universe seems to have taken mercy on me and given it
by Umnia El-NeilRead more of Michel’s amazing work here. I feel that a lot gets lost when we compare film styles, even when they're applicable, and other ready-at-hand modes of descriptions fail us. It's easy to proclaim the next Vertigo in Decision to Leave, the next socially
by Michel Abdulaziz@obscurae