BFI LFF 2024

There are going to be moments so frustrating, so unashamedly long and tense to watch, that you are going to conteplate leaving the cinema. As someone seeing it from the other end - you have nothing to fear. The film very rarely will jump scare you, so now, with that

Know your history! I was born in ‘96, and by the time I was old enough to know British Music, let alone Black British Music, my tastes were decidedly set on pop. I had never been exposed to 2-Tone, or to the history of Black artists in the UK that

OK. The moment you’ve all been waiting for. Anora does a great job of insisting you’re not watching what you think you’re watching. Aside from the impeccably kind and respectful handling of sex workers, you are going to be told, nay, rallied into ignoring your first instincts.

I’m not going to say this film won’t surprise you. It truly will, in ways you cannot comprehend yet. The intrigue and passion and speed and patience and beauty alone will astound you. What I will say is whatever prediction you make at the start, will probably be

The first beat of Blitz immediately signals to you that you are in danger. Far away from heroic depictions of a London on the defensive, we are instead confronted with immediate and benign terror. Sure, it’s an air raid - but we’re following firefighters. And the enemy they

Jesse asks, what does it mean to “feel your feelings”? From every angle - from the ancestral wound all the way down to the familial bond - from personal despair to community responsibility, what do we owe one another? And what do we suppress to ensure we keep the social

I don’t need to hear rapturous applause or raving reviews in the lobby to know a film’s importance. Dahomey serves a very specific, very important, very beautiful purpose - to document the moment the Beninoise got 26 of their Treasures back from the French, and the conversation they