From the start, Emilia Pérez presents itself as a progressive film, but it relies heavily on stereotypes rather than offering an authentic representation of Mexico.
When watching the average vampire film, it seems impossible to escape society’s morbid fascination with these blood sucking creatures. We tend to sexualize what should be a horrific act, and to aid us, we present these vampires as conventionally attractive seducers to ease our minds.
However, “Nosferatu” (2024) seems
