A surprising, existential and experimental new entry into the iconic series that, while sometimes uneven, still provides more than enough juicy meat for horror fans to sink their teeth into.
Putting a pin on the debate pushed onto the work of every queer artist, where everything they create is treated as inherently political just for existing – much like the artists themselves –, I Saw the TV Glow (2024) is a visually stunning film that is purposely vague in its storytelling.
Putting a pin on the debate pushed onto the work of every queer artist, where everything they create is treated as inherently political just for existing – much like the artists themselves –, I Saw the TV Glow (2024) is a visually stunning film that is purposely vague in its storytelling.
A surprising, existential and experimental new entry into the iconic series that, while sometimes uneven, still provides more than enough juicy meat for horror fans to sink their teeth into.
"The return of director Nicholas Hytner’s outstanding collaboration with designer
Bunny Christie to the stage is one of the best gifts to receive from the Bridge Theatre this summer"
A riveting and well-made character study that goes deeper on the tenuous mind-space boxers manage in the lead up to the world's most beloved bloodsport.
Good cinematography can obscure bad writing, and I'm not really sold on what Materialists is selling about us. The film has charm and disarms in funny little interludes, yet it's disinterested in anything besides the aesthetic.
In what can only be described as the most colourful, explosive and beautifully kitchy Short I have had the pleasure to see this year, Klimovski rampages.
