Reviews

In a haunting, resilient and sharp war short based on a true story, 'Dear Dorothy' gets behind allied lines, and writes the glory from the dirt.

With Ride Or Die, Josalynn Smith transfuses grungy 90s dissatisfaction into the chassis of a beautifully shot modern feature, painted red, peeling to blue, then blossoming to a pale lilac.

A gripping portrait of the depths you can sink to when you're grief stricken and your husband truly hates you.

Fiore Di Latte punctures wacky with doses of real, and Charlotte Ercoli uses the madness like an easel to paint a woefully accurate portrait of addiction.

Marina’s new album is an invigorating blend of past, present and future, where vulnerability meets camp to birth pop perfection

Twinless is slightly sorta like Vertigo, on poppers, running on the energy of an off the walls 2000s movie laced with the spirit of a Hitchcockian thriller.

Esta Isla films in the dialect of Tropical Realism, austere and surreal, a bit verité: it makes no attempts at hiding because it holds itself plain to see.

Lemohang Jeremiah Mosese wants to talk in feeling - if you're ready to listen.