Reviews

A masterful dialogue-less story on par with the most devastating Pixar fare you can imagine.

Orwell’s powerful on-the-nose metaphor is revitalized on the story’s 80th anniversary through a spectacular performance that reminds us that we still have much to learn.

From the start, Emilia Pérez presents itself as a progressive film, but it relies heavily on stereotypes rather than offering an authentic representation of Mexico.

Where Final Destination meets The Babadook, and everybody dies…

I mean...Earnest!

When watching the average vampire film, it seems impossible to escape society’s morbid fascination with these blood sucking creatures. We tend to sexualize what should be a horrific act, and to aid us, we present these vampires as conventionally attractive seducers to ease our minds. However, “Nosferatu” (2024) seems

Read more of Michel’s amazing work here. I feel that a lot gets lost when we compare film styles, even when they're applicable, and other ready-at-hand modes of descriptions fail us. It's easy to proclaim the next Vertigo in Decision to Leave, the next socially

It is always so nice to descend on the Prince Charles Cinema and realise you’re surrounded by passionate people. I feel that venues like the PCC are some of the only places left in the modern world where people aren’t pretending to be too cool, or nonchalant -