"In merely 90 minutes, the play explores personal & professional betrayals in regards to politics and the arts which remain as relevant as ever, and reminds us that in the face of regression, the only option is to charge forward"

"Jake Schreier’s Thunderbolts* manages to present a simple and clear to understand story that even first timers [of the MCU] can enjoy"

Yet despite Netflix’s apparent tendency to mess up the pacing of their second seasons, once Seong Gi-hun bears the deadly 456 number on a familiar green uniform, we are reintroduced to the brilliance of this show.

Perhaps my biggest concern with sci-fi as a genre is the accidental tendency to focus so much on a concept that the characters’ personality gets lost in the process... However, the entire cast – including major and minor characters – shine brightly.

Orwell’s powerful on-the-nose metaphor is revitalized on the story’s 80th anniversary through a spectacular performance that reminds us that we still have much to learn.

From the start, Emilia Pérez presents itself as a progressive film, but it relies heavily on stereotypes rather than offering an authentic representation of Mexico.

When watching the average vampire film, it seems impossible to escape society’s morbid fascination with these blood sucking creatures. We tend to sexualize what should be a horrific act, and to aid us, we present these vampires as conventionally attractive seducers to ease our minds. However, “Nosferatu” (2024) seems

What a brilliant, brilliant, BRILLIANT film. This is one of those films you are EXCITED for other people to discover because it is simply SO DAMN GOOD. Yes, here at OBSCURAE we do not talk down films we don’t like (and we’ll see if my boss and friend