In it’s outings at the festivals, this quiet camcorder documentary surrounding intergenerational trauma has won the LFF Audience award, and garnered praise from the Guardian and the Evening Standard.

I think this is a bit of a watershed moment for Women of Colour in the British Film ecosystem.

Though some may say the commissioners only want stories of our trauma, there was a time where a story like this simply wouldn’t have been told - wouldn’t have been deemed worthy of putting to film, of releasing. It’s a heavy film, and trigger warnings for massive amounts of discussion around Sexual Assault, r*pe, and the abuse of minors.

As I watched, I couldn’t help but notice that these were British faces, cultures and stories that aren’t often given this time and attention. For that alone, it deserves praise. Therefore my critique seems counterintuitive - there was a lot of blank space. Though the conflict was clear, the unfolding of events felt too sparse to warrant a feature.

Despite this, I will still reccomend it to anyone who needs to feel heard, in a world that has not listened before.

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